| Art Goes to School Workshops |
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We use art concepts and techniques to supplement and enhance classroom studies of art as well as the other disciplines. The Core Workshops provide grounding in art concepts and techniques, while the Supplementary Workshops use art skills and ideas to explore the other disciplines. The Ontario Trillium Foundation and Imperial Oil Foundation provided financial support for development and implementation of this program. EARLY BIRD SPECIAL! Free theatre workshop if booking before Jan. 1st, 2010. TEN TO FIFTEEN SPECIAL! $50 off if booking ten to fifteen workshops. FIFTEEN TO TWENTY SPECIAL! $100 off if booking fifteen to twenty workshops. Workshop LevelsIt is suggested that students experience the basic core workshops noted as Level I first, followed by the supplementary workshops noted as Level II below. All workshops meet the Ministry of Education and Training curriculum requirements and are followed by curriculum expectations and connections.Visual WorkshopsLevel I - Core WorkshopsLevel II - Supplementary Workshops Theatre WorkshopsWorkshops should be taken in sequence: 1-2-3-4-5Level I - Core Workshops Level II - Supplementary Workshops MULTIDISCIPLINE SERIES This is a series composed of two workshops developed on a common theme. Both workshops should be selected to complete the series. Visual WorkshopsGuidelines: Level I - Core WorkshopsThis workshop available for JK and SK is an integrated introduction to art through music, movement and drawing. Expectation: Communicates feelings using a variety of materials and identify emotions; move in response to the tempo and mood of music; listens and responds to others; follows simple instructions; distinguishes between imaginary and real; learn measurement terms; identify line as a basic of art forms.This workshop available for JK and SK is a glimpse into the world of sculpture through the use of clay. Expectations: Identify 2 and 3 dimensional objects; develop fine motor skills. This workshop available for JK and SK provides a beginning to colour theory and the proper use of tools and materials. Please Note: The In School programme requires access to water. Expectations: Mix paint to create new colour and textures; use a variety of tools. New: This workshop is available for JK and SK. Class will hear and discuss characters in a nursery rhyme or fairy tale. The students will create an oil pastel drawing of selected rhyme or tale (teachers’ selection in collaboration with Art Educator). Expectations: Identify elements of visual image; listen and respond to others in a variety of context; respond appropriately to questions; experiment with the interrelation of stories and images. Capture the colour and beauty of butterflies and moths through the creation of wing patterns. This workshop explores symmetry and abstract concepts. EXPECTATIONS: Will have a knowledge of primary colours, different kinds of lines; produce a two dimensional work of art that communicate ideas for specific purposes; use and identify elements of design; use correct vocabulary and art terminology; a variety of art tools, materials, and techniques and demonstrate understanding of their proper and safe use; ideas in a variety of art works. CONNECTIONS: Insect characteristics, patterning, organic and geometric line, shape and symmetry; recognize similarities and differences in a variety of attributes such as size, shape, colour; use one attribute to create a pattern; senses and how they help to recognize and use a variety of materials. This workshop explores the unique adaptations of the penguin allowing it to survive the harshest environment on earth. Students will learn symmetry and patterning in nature and will create their image by breaking down the penguin into shapes; using estimation and spatial awareness. EXPECTATIONS: The students will identify the characteristics of symmetrical shapes and forms. They will recognize the importance of the elements of design and their use in producing works of art. They will identify horizontal and vertical lines, geometric and organic shapes and gain hands-on experience in the use of oil pastels (e.g. outlining, blending). CONNECTIONS: Compare the physical characteristics of penguins with those of other birds. Explore the penguin's habitat and other creatures that live there. This Workshop focuses on the elements of recreating images by breaking an animal down into its geometric shapes to gain an understanding of its major physical characteristics. The students will learn basic geometric and diagonal lines, spatial awareness, symmetry and patterning in living things. They will also learn how to draw a wild animal by using quadrants and estimations. Expectations:Two-dimensional artwork, outline-shapes, shaping, use of point and side medium, illusion of depth, quality of lines, texture by lines, tinting and shading, following directions, the proper and safe exploration and manipulation of tools, materials and technique, proper terminologies, use of the senses and elements of design.Connections:This could lead into a unit based on the animals and their environment with perhaps a class trip to the local zoo, farm or agricultural fair. This Workshop, available for both Grades 1-3 and Grades 4-8, focuses on the elements of recreating images by breaking each animal down into its geometric shape. Whether it is a bullfrog, a snake, a turtle or a lizard, a close look at land and water creatures is what this workshop is about. Expectations:This workshop focuses on the elements of re-creating images by breaking down an animal into its geometric and organic shapes to gain a better understanding of its major physical characteristics. Connections:This could lead into a unit based on animals, their characteristics, their physical region, hibernation period, diet and that particular animal's life cycle. Students will be introduced to the poetry of Canadian children's author, Dennis Lee, as this workshop begins with the reading of his title poem "Jelly Belly" and inspires a cartoon style drawing of the character.
EXPECTATIONS:The students will produce a two dimensional art work using the elements, priniciples, and techniques of visual arts to communicate feelings, ideas, and understandings. They will explore emotions and facial expressions through the introduction of cartooning. They will be albe to demonstrate and understanding of composition through use of balance and repetition of colour and shape.connections:This workshop may be combined with a literacy unit on poetry.Working from two dimensions (plane shapes drawings) the class creates a raised bas relief image of a butterfly that stands out from the plane. Expectations:The students will identify the characteristics of symmetrical shapes and forms. They will identify the three body parts of a butterfly (head, thorax and abdomen). They will recognize and use the elements of design in a variety of art materials, tools and techniques, and identify and describe a wide range of textures (rough, smooth).Connections:Depending on what the students create from this workshop the future teaching strand will be determined (e.g. a relief jungle scene with animals will lead into a unit on wildlife).This workshop for Grades 3 - 8 explores the structure of birds, in or out of the nest. Expectations:Produce two-dimensional work of art that communicates ideas, thoughts and feelings; recognize and name warm and cool colours and describe their emotional impact; identify symmetrical and asymmetrical shapes in the natural worldConnections:This could lead into a unit based on birds and their environment with perhaps a class trip to the local aviary.A panoramic exploration of a bird or birds in flight Expectations:Produce two-dimensional work of art that communicates ideas, thoughts and feelings; recognize and name warm and cool colours and describe their emotional impact; identify symmetrical and asymmetrical shapes in the natural worldConnections:This could lead into a unit based on flight patterns of birds and their geographical nesting sites.From the head, through the thorax, to abdomen, students combine art and science to gain an understanding of the major characteristics of an insect. Expectations:The students will find ways to use the elements of design and its importance while producing works of art. They will identify the horizontal and vertical line, distinguish between geometric and organic shapes and describe the different kinds of lines (e.g. jagged, straight, curved). The students will also gain hands-on experience of the proper and controlled technique of drawing with pastels (e.g. - outlining shapes, colouring in a surface using both the point and the side of the pastels).Connections:Combine this workshop into a unit of art and science, name and identify the parts of an insect, its regional location, the lifecycle of that particular insect, its diet and relatives.In this drawing workshop Grades 1 to 3 learn about Picasso's style and how to use the elements of design (colour, line, shape, form, space and texture) and to create specific effects. Expectations:Communicate subject matter in both their own and others' art work; review Pablo Picasso. Experience how Picasso changed the way we see two-dimensional images and the influence of Africa in his work. ; produce a two dimensional work of art that communicates ideas for specific purposes; use and identify elements of design; use correct vocabulary and art terminology; a variety of art tools, materials, and techniques while demonstrating understanding of their proper and safe use; ideas in a variety of art works. Connections: The Group of Seven - Tom Thomson: The class experiences the Northern Ontario/Algonquin landscape through the style of the Group of Seven. Emily Carr: Explore the B.C. landscape and native lore through Emily Carr’s distinctive style. Other Artists: Workshops available at the discretion of the Centre and/or Educator(s) Expectations:Appreciation of two dimensional works of art; similar materials, tools, and principles of design for a variety of purposes; unification of composition; focal point; balance in composition; size, scope and intent of work; specific effects; artwork communication; understanding of ideas and feelings in the artwork; the proper and safe exploration and manipulation of tools, materials and techniques; proper terminology; use of the senses; elements of design, artistic choices. Connections:Describe the everyday life of various groups in Western Canada at the time of settlement by Europeans; identify references made to Canada's historical development in Canadian art and music. This Workshop, available for Grades 4-8, explores the work of Canadian artist Mary Pratt and her influence on realism in the modern era. Expectations:Produce two dimensional artwork; define shapes and forms with line; create the illusion of depth; understand quality of lines; shading and texture; identify how the shading of shapes can be used to create the illusion of depth; use of appropriate tools, materials and techniques for a particular purpose and their correct use; proper vocabulary and terminologies; organize artwork to produce various elements of design, artistic problems and solutions; see connections between elements of design and artistic purpose. Connections:The senses and how they help us to recognize and use a variety of materials; identify important artists around the world. The class will use pastel or watercolour techniques to explore the concepts of tints and shades while creating a single colour landscape. Expectations:Produce two dimensional works of art; describe how lines may be used to define shapes and forms and to create movement & depth; identify how the shading of shapes can be used to create the illusion of depth; identify negative & positive shapes. Connections:The senses and how they help us to recognize and use a variety of materials; ways materials can be changed to alter their appearance. Students are introduced to two point perspective in drawing by creating buildings in a cityscape. Expectations:Produce two dimensional works of art; describe how lines may be used to define shapes and forms and to create movement & depth; identify how the shading of shapes can be used to create the illusion of depth; identify negative & positive shapes. Connections:The senses and how they help us to recognize and use a variety of materials; ways materials can be changed to alter their appearance. Students are introduced to the art and science of colour using qualitative data to understand the colour wheel (primary & secondary colours), tinting and shading. Expectations:Recognize and identify the primary colours and values of colour (tones); produce a two-dimensional work of art that communicates ideas for specific purposes; use and identify elements of design; use correct vocabulary and art terminology; use a variety of art tools, materials, and techniques while demonstrating understanding of their proper and safe use; ideas in a variety of art works. Connections:The senses and how they help us to recognize and use a variety of materials; ways materials can be changed to alter their appearance. This Workshop explores the world of occupations through the drawing of people at work. Expectations:Recognize different kinds of lines; geometric and organic shapes; produce two dimensional works of art that communicate ideas for specific purposes; use and identify elements of design; use correct vocabulary and art terminology; a variety of art tools, materials and techniques while demonstrating an understanding of their proper and safe use; ideas in a variety of art works. Connections:Identify the occupations of some people in the community. Students are introduced to the art and science of colour through the use of percentages, qualitative data and colour theory (primary, secondary and tertiary colours), tinting and shading. Expectations:Mix colours to create new colours; transparent, translucent and opaque colours; create a shade chart; following directions; the proper and safe exploration and manipulation of tools, materials and techniques; proper terminologies; use of the senses; elements of design, artistic choices. Connections:Formulate questions about and identify problems related to the way materials transmit, reflect or absorb colours; communicate the procedures and results of investigations for specific purposes (create a shade chart), describe and demonstrate ways of mixing colours to create new colours. In this Watercolour painting Workshop students will learn basic watercolour techniques, primary, secondary and complementary colours. Students experience Georgia O’Keefe’s influential works of art. Expectations:Produce two-dimensional works of art; use similar materials, tools, and principles of design for a variety of purposes; unification of composition; focal point; balance in composition; size, scope and intent of work; specific effects; artwork communication; understanding of ideas and feelings in the artwork; the proper and safe exploration and manipulation of tools, materials and techniques; proper terminology; use of the senses; elements of design; artistic choices. Connections:The senses and how they help us to recognize and use a variety of materials; identify important artists around the world. Grades 1 – 3 and Grades 4 - 8 The class will be introduced to the basic concepts and techniques of three-dimensional sculpture through the medium of modeling clay. Expectations:Recognize texture of object and properties of materials; produce three dimensional works of art that communicate ideas for specific purposes; use and identify elements of design; use correct vocabulary and art terminology; use a variety of art tools, materials, and techniques while demonstrating understanding of their proper and safe use; ideas in a variety of art works. Connections:Senses and how they help to recognize and use a variety of materials; ways materials can be changed to alter their appearance and texture. This Workshop will introduce the basic concepts of abstract art using three-dimensional sculpture through clay. The class will experience Henry Moore’s sculptures as they relate to its environment. Expectations:Understand the basic concepts of abstract art through positive and negative space. While looking at the abstract works of art by Henry Moore, students will be able to communicate their ideas for specific purposes; use and identify elements of design; use correct vocabulary and art terminology; use a variety of art tools, material and techniques while demonstrating understanding of their proper and safe use; use ideas in a variety of art works. Connections:Have students recreate a famous piece of abstract art using found objects. Search out others materials that can be changed to alter their appearance and texture. The class will be introduced to the basic concepts and techniques of three-dimensional sculpture through clay. Students will understand three dimensional design; they will learn a brief history of Canada’s newest territory Nunavut. Work in clay and use proper vocabulary, tools, techniques and processes. Students will create an Inukshuk and an independent piece of sculpture. Expectations: Produce a three dimensional work of art; define the elements of design; use correct vocabulary and terminology; describe the changes they observe in the properties of clay after it interacts with air and water; recognize and describe the relationship between a work of art and its surroundings; identify tools and techniques used by artists working with clay; describe the texture of object and properties of materials; produce three dimensional works of art that communicate ideas for a specific purpose; use and identify elements of design; use correct vocabulary and art terminology; use a variety of tools, materials, and techniques while demonstrating understanding of their proper and safe use Connections:Communicate a range of ideas - describe life of the Inuit traveller and recognize navigational aids; recognize and describe the relationship between function and art; identify the most appropriate tools and materials for the purpose of building an Inukshuk; describe the period in time and location; recognize ways materials can be changed to alter their appearance and texture. The class will be introduced to the basic concepts and techniques of print making. Students will understand two dimensional design and positive and negative space, still life while they discuss the work of several artists. Expectations:Produce a Fine Art Print; define the elements of design; use correct vocabulary and terminology; describe the relationship between a work of art and its surroundings; texture of object and properties of materials; produce two dimensional works of art that communicate a range of thoughts, feelings, and ideas for a specific purpose; use a variety of tools, materials, and techniques while demonstrating understanding of their proper and safe use. Connections:Formulate questions about and identify problems related to the way print materials transmit, reflect or absorb printing ink/colours; communicate the procedures and results of investigations for specific purposes, describe and demonstrate ways of creating texture, form and depth within their work of art. The class will be introduced to the basic concepts and techniques of painting. Through the development of their painting, students will identify primary and their secondary complementary colours. This workshop will help students recognize and name the warm and cool colours, identify the elements of design and the characteristics of line, shape and colour. They will discuss an art movement and discover Andy Warhol's influence on the art scene during the seventies.
EXPECTATIONS:
Create a two dimensional work of art; use materials, tools and elements of design for a variety of purposes; specific effects; artwork communication; understanding of ideas and feelings in the artwork; the proper and safe exploration and manipulation of tools, materials and techniques; proper terminology ; use of the senses; elements of design, and artistic choices.
CONNECTIONS:
Combine this workshop and a social study unit; discuss commercialism and how it affects our life and buying choices.
The class will be introduced to the basic concepts and techniques of painting. Throught the development of their painting students will identify primary, secondary and monochromatic colours through the use of tints and shades. This workshop will assist students in understanding the elements of design and the characteristics of line, shape and colour. they will discuss the Group of Seven and discover Lawren Harris' influence on the Canadian art scene. EXPECTATIONS: Produce a two dimensional piece of art; define the elements of design; use correct vocabulary and terminology; proper use of materials and tools; describe the relationship between a work of art and its surroundings; explain how the elements of design are organized in a work of art to communicate feelings and convey ideas. CONNECTIONS: Combine this workshop with a social study unit; discuss habitats and communities in the Hudson Bay, Algonquin and Canadian Artic regions; apply a science unit on how global warming has affected rocks, minerals and erosion of polar ice caps. The class will be introduced to the basic concepts and techniques of drawing. Students will understand two dimensional design; demonstrate awareness that the overlapping of shapes can create the illusion of depth. They will discuss abstract expressionism and discover Jasper Johns' influence on the art scene in the late fifties. EXPECTATIONS: Create a two dimensional work of art; demonstrate an understanding of the proper and controlled use of art tools, materials and techniques, singly and in a combination, for a variety of purposes; apply the elements of design in an art work for a specific purpose; use correct art vocabulary and terminology. CONNECTIONS: Incorporate this workshop with a social study unit on government. Formulate questions about and identify problems and solutions in the application of the materials, describe and demonstrate ways of creating texture, form and space within their work of art.
The class will be introduced to basic concepts and techniques of three dimensional sculpture through clay; the students will distinguish between a relief and free-standing sculpture; they will learn a brief history of Canada's Centennail coin and one of Canada's most famous living painters, Alex Colville. EXPECTATIONS: Produce a three dimensional work of art; use and identify the elements of design; use correct vocabulary and terminology; identify tools and techniques used by artists working with clay while demonstrating an understanding of their proper and safe use; describe the changes they observe in the properties of clay after it interacts with air and water. CONNECTIONS: Discuss the connection between currency and pictorial images; recognize and describe the relationship between function and art; describe the centennial and its importance to Canada; recognize ways materials can be changed to alter their appearance and texture. Guidelines: Level II - Supplementary WorkshopsThis class explores the basic elements of landscapes through painting. Expectations:Describe characteristic of a landscape; distinguish between close-up and big and small. Discover a method of using clay to create a dinosaur. Expectations:Identify 2 and 3 dimensional objects. Create and examine our farm friends by investigating their shapes, colours and form in chalk pastel. Expectations:Will use variations in shape and size to identify animals and people from a farm environment. EXPECTATIONS: Follow simple instructions; identify hot and cold colours; identify shapes and recognize line as the basis of art forms.Working from two dimensions (plane shapes drawings) the class creates a raised bas relief image (like those found on a medal) that stands out from the plane. Students can create fossils, coat of arms, plants, insects, animals or geometric shapes.
Expectations:The students will identify the characteristics of symmetrical shapes and forms and the different types of lines that can be found anywhere (vertical, horizontal, diagonal). They will recognize and use the elements of design in a variety of art materials, tools and techniques, and identify and describe a wide range of textures (rough, smooth). Connections:Depending on what the students create from this workshop will determine the future teaching strand (e.g. a relief jungle scene with animals will lead into a unit on wildlife). Students create self-images while learning the basic elements of executing a portrait. Expectations:Value of colour, texture, organic forms; different kinds of lines; produce two dimensional work of art that communicates ideas for specific purposes; use and identify elements of design; use correct vocabulary and art terminology; use a variety of art tools, materials, and techniques while demonstrating understanding of their proper and safe use; use ideas in a variety of art works; close-up and far away. Connections:Identify and locate parts of the body (face), common characteristics. Cartoon elements are introduced by constructing portraits that explore emotions and facial expressions within a storyboard. Expectations - Grades 1 - 3:Symmetry; types of lines; physical characteristics; following directions; the proper and safe exploration and manipulation of tools, materials and techniques; proper terminologies; use of the senses; elements of design, artistic choices. Expectations - Grades 4 - 8:Create a self- portrait; two-dimensional artwork; outline shapes; use point and side of medium; illusion of depth; emotional quality of lines; texture by line; tinting and shading; following directions; the proper and safe exploration and manipulation of tools, materials and techniques; proper terminologies; use of the senses; elements of design, artistic choices. Working from a two dimensional cartoon, clay head is created using the tools and techniques of sculpture. Expectations:Identifying the characteristics of symmetrical shapes and forms, variety of textures and distinguish between relief and freestanding sculptures. Describe their knowledge of the strengths and limitations of a variety of familiar art tools, materials and techniques, which they will gain through sculpting. Connections:The senses and how they help to recognize and use a variety of materials; ways materials can be changed to alter their appearance. Identify and locate parts of the body (such as the face) and explore common characteristics. Elements of cartooning are applied to examine life in medieval times. Expectations:They will identify the elements of design and use them in ways appropriate in this workshop. The student will gain knowledge and experience by properly using the tools, materials and techniques through drawing. They will explore emotions and facial expressions within a storyboard by introducing the elements of cartooning. Connections:Have the students create a classroom code of honour or a family crest/shield. Have the students research one particular profession during medieval times (such as their roles and responsibilities) or turn your classroom into a castle or marketplace. Using mixed media students will explore the vastness of space. Positive and negative space will be emphasized through the creation of stars and planets and the emptiness that surrounds them. Expectations:Two-dimensional artwork; identify elements of design and the principles of design; focal point; symmetrical and asymmetrical balance; correctly use vocabulary and art terminology; appropriate tools; textures to evoke an emotional response; illusion of depth through shading and line; guiding the eye through the use of lines; colour elationships. Connections:Describe the physical characteristics of components of the solar system - the sun, planets, natural satellites, comets, asteroids and meteoroids, identify the bodies in space that emit light and those that reflect light; use appropriate vocabulary in describing their investigations and observations.
Expectations:Two-dimensional artwork; identify elements of design and the principles of design; focal point; symmetrical and asymmetrical balance; correctly use vocabulary and art terminology; appropriate tools; textures to evoke an emotional response; illusion of depth through shading and line; guiding the eye through the use of lines; colour relationships. Connections:Plan a field trip and go fishing. Have the students study the native fish and underwater life, and the incredibly diverse web of life that lives underwater. Have a discussion with the students about how the ocean affects our weather. A lesson plan about the solar system can include information about earth having the only liquid oceans in the solar system. Students will learn a brief history lesson about the wonders of Egypt and their spiritual beliefs. The lesson will then lead into a reproducing Canopic jar. The students will identify the symbolic reasons behind these strange mystical jars. Expectations:The students will define the elements of design and use them in ways appropriate for this assignment. They will learn the proper use of the tools and materials and explore various techniques. Connections:Plan a trip with your class or school to your local museum or art gallery. Prepare a research assignment about Egyptian myths, legends, regions and funerary customs. Write a simple message and convert it into hieroglyphics. The students are introduced to perspective drawing and learn how to create a three-dimensional image on a two-dimensional surface. Expectations:The students will describe how line may be used to define shapes and forms and to create depth (back, middle and foreground), how shading of shapes can also be used to create an illusion of depth and explain the negative and positive relationship of shapes in works of art and the environment (e.g. shapes created by both the branches of a tree and the spaces between the branches). Connections:Describe the physical region, natural landforms, the characteristics of cities, provinces, countries or continents (e.g. Sarnia, Ontario and Smithers, British Columbia, or Canada and Australia or North America and Asia). Perhaps a unit based on why different fruits and vegetables can only grow in certain regions of the world (e.g. grapes, bananas, coffee beans, wheat.
Students will create an imaginative alien that could inhabit other worlds in space. EXPECTATIONS:
Produce two dimensional artwork; identify elements of design, focal point, symmentrical and asymmentrical balance correctly; use vocabulary and art terminology; use appropriate tools; use textures to evoke an emotional response; create illusion of depth through shading and line; guide the eye through the use of lines; colour relationships. CONNECTIONS: Identify the bodies in space that emit light and those that reflect light; use appropriate vocabulary in describing their investigations and observations. The class is introduced to the basic elements of cartooning, throught the creation of dinosaurs. EXPECTATIONS: Produce two dimensional works of art that communicate ideas, thoughts and feelings; identify characteristics of a variety of lines; identify symmetrical and asymmetrical shapes in both human made environments and the natural world; describe texture in works of art; recognize and name warm and cool colours; identify characteristics of a variety of lines.A portrait is created that examines composition and colouration of a dinosaur head. EXPECTATIONS: Produce two dimensional works of art that communicate ideas, thoughts and feelings; identify characteristics of a variety of lines; identify symmetrical and asymmentrical shapes in both human made environments and the natural world; describe texture in works of art; recognize and name warm and cool colours; identify characteristics of a variety of lines.Whether studying farm life and animals or supplementing a trip to a farm or agricultural fair, this workshop focuses on the elements of recreating images by breaking an animal down into its geometric shapes to gain an understanding of its major physical characteristics. Create totems from clay focusing on animals from the water, earth and sky. EXPECTATIONS: Produce a three dimensional work of art; identify types of lines in art works and in the environment; identify the characteristics of symmetrical shapes and forms, identify and describe a variety of textures; identify the elements of design in a variety of familiar objects. CONNECTIONS: Classify a variety of animals using observable characteristics. The dreamscapes of Salvador Dali assist students in exploring their successes, humour and phobias. EXPECTATIONS: Create a two dimensional work of art; create desired effects; understand composition and balance; focal point; determine intent, character & size of work; repetition of elements to create rhythm; appreciate works by people of various culural backgrounds; understand the proper and safe exploration and manipulation of tools, materials and techniques; proper terminologies; use of the senses; elements of design and artistic choices. CONNECTIONS: The senses and how they help us to recognize and use a variety of materials; identify important artists around the world. The stages of growth and seasonal changes of a tree will be explored in a drawing. EXPECTATIONS: They will produce a two dimensional work of art; use point and side of medium; emotional quality of lines; texture by line; tinting and shading; following directions; the proper and safe manipulation of tools, materials and techniques; proper terminologies elements of design. CONNECTIONS: Study the changes that plants undergo in a complete life cycle and observe the effects of the seasons on various kinds of plants. Create a painting illustrating the growth stages of a flower from bulb to full bloom. The illusion of depth will be presented by the overlapping of shapes. EXPECTATIONS: They will produce a two dimensional work of art; illusion of depth, tinting and shading; following directions; the proper and safe exploration and manipulation of tools, materials and techniques; proper terminologies and elements of design. CONNECTIONS: Identify and demonstrate awareness of ways of caring for plants properly by planting a flower bulb. Observe the changes in growth and identify the various factors that can affect growth. This workshop combines the study of the parts of a flower with the creation of a three dimensional clay relief. EXPECTATIONS: They will produce a three dimensional work of art; use and identify the elements of design; use correct terminology and vocabulary; identify techniques used by artists working with clay. They will have an understanding of the difference between a free standing sculpture and a relief sculpture. They will identify the parts of a flower. CONNECTIONS: Identify and demonstrate awareness of ways of caring for plants properly by planting a flower bulb. Observe the changes in growth and identify the various factors that affect growth. Volcanoes and other natural phenomena are recreated through line, colour and form. EXPECTATIONS: They will create a two dimensional work of art; create desired effects; composition balance; focal point; determine intent, character and size of work; repetition of elements to create rhythm. CONNECTIONS: Study the geological processes; effects of natural phenomena. Students learn about pioneer life by creating a drawing that explores the homestead. EXPECTATIONS: They will learn to identify a variety of lines and uses, symmetrical and asymmetrical shapes and forms; follow directions; the proper and safe explorationa and manipulation of tools, materials and techniques; proper terminologies; use of the senses; elements of design; and artistic choices. CONNECTIONS: Build a model log cabin; research First Nations villages, early explorers to Canada; look at First Nations legends. Students will learn a brief history lesson about the wonders of Egypt and their spiritual beliefs. The lesson will then lead into reproducing a Canopic jar. The students will identify the symbolic reasons behind these mystical jars. EXPECTATIONS:The students will define the elements of design and use them in ways appropriate for this assignment. They will learn the proper use of the tools and materials and explore various techniques. CONNECTIONS: Plan a trip with your class or school to your local museum or art gallery. Prepare a research assignment about Egyptian myths, legends, regions and funerary customs. Write a simple message and convert it into hieroglyphics. These workshops use decorative patterns in stylized drawings to assist students to learn about cultures from around the world. Please specify which culture you have selected when booking this workshop (Egypt, Aztec, Rome or Greek). EGYPT: Students will create a symmetrical drawing of King Tut's burial mask & will be introduced to a brief history of the myths & facts that surround the discovery of his tomb. ROME: Students will create a drawing reflecting the culture and architecture of Ancient Rome with an emphasis on establishing foreground and background in their composition to create a sense of depth. EXPECTATIONS: They will create two dimensional artwork using a variety of lines;symmetry; pattern attributes both static and changing; following directions; the proper and safe exploration and maniuplation of tools, materials and techniques; proper terminologies; use of the senses; elements of design and artistic choices. AZTEC: Using the medium of clay, students will reproduce the design of an Aztec mask using symbols and pattterns. GREEK: Using the medium of clay, students will reproduce a Greek coin design by creating a bas releif sculpture. EXPECTATIONS: They will produce a three dimensional work of art: distinguish between relief and free standing sculptures; use and identify the elements of design; use correct terminology and vocabulary; identify tools and techniques used by artists working with clay while demonstrating an understanding of their proper and safe use; describe the changes they observe in the properties of clay after it interacts with air and water. CONNECTIONS: Research and compare the development of two or more ancient civilizations; their architecture, values and beliefs and the methods of governing. Identify their scientific and technological advances and discuss the contributions each civilization has had on our modern life. Students will create a unique seascape from a worm's eye view, with a seashell as the predominate feature. Texture and form will be emphasized using oil pastel. EXPECTATIONS: Students will identify the elements and principles of design; correctly use vocabulary and art terminology; textures to evoke an emotional response; illusion of depth through shading and line and colour relationships. CONNECTIONS: Investigate the components of soil and compare the properties of various types of soils. Investigate the various patterns exhibited in shells, (i.e. spiral, linear, circular, etc.). Investigate the shoreline habitat and how its creatures adapt to changes in their environment. Students will combine art with science as they become acquainted with life in the snail's world and the unique abilities it possesses to survive in its environment. Grades 1-4 will explore painting techniques using tempera paint while Grades 5-8 will be introduced to watercolour techniques.
EXPECTATIONS:Students will use a variety of materials, tools and techniques to respond to design challenges; demonstrate an understanding of composition, using selected principles of design to create art works understandings. Connections:Incoporate this workshop with a science unit on invertebrates; have students collect snails from their gardens and bring into classroom to observe; integrate math skills by conducting a snail "Olympics". This workshop combines a discussion of the role of rainforests in the Earth's environment and a drawing of one of the more colourful inhabitants (choice of either a parrot or toucan) in chalk or oil pastel. Students will learn patterning in nature and will create their image by breaking down the parrot or toucan into shapes; using estimation and spatial awareness.
Expectations:Students will use a variety of materials, tools and techniques to repond to design challenges; demonstrate an understanding of composition, using selected principles of design to create art works understandings. Connections:Identify the positve and negative impacts that different kinds of human activity have on animals and where they live. Describe adaptations to the bird's body part, shape or behaviour that help it survive in its environment.
Theatre WorkshopsWorkshops should be taken in sequence: 1-2-3-4-5Level 1 - Core Workshops Pantomime or mime? The two words cause quite a dilemma for those who try to explain them. Some feel pantomime alludes to a performance, while mime represents the performer. Others feel that a pantomime is a comedy and a mime is a serious drama. There are many theories, but for the most part, the words are now interchangeable. Mime/Pantomime is a self-expression without words. It is a silent form of communication. When performing, your body becomes your instrument. Modern mime is a form of the theatre, but its roots go back a very long way. Mime is one of the earliest modes of communication - an expression of self. Explore posture, clear body movements and the communicative power of gesture and facial expressions. Students will be guided through many exciting exercises that will continually stimulate their creativity and enhance their non-verbal skills. EXPECTATIONS: The students will find ways to communicate through the use of their body and facial expressions and see its importance in creating dramatic works. The students will also gain confidence and awaremess of both self and others through individual and group work. CONNECTIONS: Combine this workshop with a class on dance to overlap the expressive power of body movement. This workshop could also lead into a unit based on the human body, its different parts, their characteristics and then an art exercise at the end in either a sculptural (3D) technique in clay or wire or two dimensional technique drawing the human body in an expressive stance. An improviser's utility belt is loaded with countless acting exercises, communication skills, and other tools that enable him or her to freely and playfully create spontaneous theatre. The Improv Technique Workshop will help you build your foundation as a smart, imaginative, and fearless improviser. You will learn the basic fundamentals of improvisation such as accepting ideas, give and take, beginning/middle/end, and connecting information. This workshop extends upon students' previous knowledge. Students will be guided through multiple exercises and have the chance to do skits. The improvisation workshop will focus on accepting and agreeing with their classmates while concentrating on their acting partners in order to play out the physical aspects of a scene. EXPECTATIONS: The students will learn how to develop standards for teamwork, create and react to environments, focus on fellow actors and their actions, to concentrate,relax and allow themselves to really listen, observe and be affected by their acting partners. CONNECTIONS: This workshop could lead to students choosing monologues or passages from novels or books they are reading for class or for pleasure. Students will decide what words, phrases and sections of the passage deserve special body and voice attention. This exploration of public speaking could lead to all students performing their monologues in front of the class. This workshop could also tie in with Social Studies and having students identify with people from different cultures and different times by re-enacting "a day in the life of...". With the foundation in the use of proper theatre techniques completed, students are ready to elaborate upon their dramatic abilities by stepping into a role through costume and use of props. In this workshop, students will be able to experience how props and costumes add drama to the scene and make characters more likeable and diverse. Students will perform skits, but this time will be adding specific props and costumes that will change the outcome of the scenario. EXPECTATIONS: Students are introduced to materials that enhance theatrical productions. Students will demonstrate divergent thinking and creative solutions when asked to develop scenes based on props and costumes. In doing so their performance will intensify; they will learn how to create a more interesting character and really begin to learn the skill of acting. CONNECTIONS: Students can develop hands-on skills in an art class by creating costumes and/or face-painting. They could also create props with a wire base and cover with papier mache and paint. Combine this workshop with Social Studies and look at the costumes from around the world and throughout different eras. Students will begin to understand how technology can play a huge part in creating atmosphere in a theatrical production. Students will experience how the power of lighting, colour, music, and technology can add a new dimension to their performances and theatrical works. EXPECTATIONS: Students will find ways to use technology in their dramatic productions and see its importance while creating a dramatic work. They will identify how music, lighting and photography are used in the theatre and how it all comes together to create an emotion or tone to their solo and/or group work. CONNECTIONS: Students' artistic and musical awareness will be strengthened with a project that asks them to brainstorm on an atmosphere they want to create. With a shoe box, students will engage in a hands-on "backdrop building" art project. Students then choose a piece of music that matches the atmoshpere they want to create and decide which colour of lighting (flashlights) will best highlight their "mini-theatre". An intensive look at all the inner workings of large theatrical productions. Students will learn about the "behind the scenes" people that are absolutely crucial to making a theatre production successful. Using what they have learned about body movement, voice, props and costumes and technology, students in large groups, will create a storyboard, a scene or story, and create a mini-production demonstrating all the necessary elements (clear body movement, proper voice production, appropriate use of costumes and props, awareness of how coloured lights produce certain feelings, the addition of backdrops, the atmoshphere, the addition of music, etc.). EXPECTATIONS: The students unite all the concepts learned throughout the prior workshops. Students will recognize the importance of teamwork. Despite however small someone may think a role is (example prop manager), students will walk away with an experience that demonstrates how crucial a unified team is in making the whole production work. Students will be engaged in creative and divergent thinking, teamwork and hands-on experience to make their ideas become a true theatrical production. CONNECTIONS: In a gym class play trust games and other outdoor education activities that promote teamwork; team-brainstorming; develop the knowledge of teamwork inter-dependency. Children will actively participate in imaginative theatre games. They will learn while being entertained with a fun hands-on experience using movement, voice and dance. EXPECTATIONS: Students will be given their first taste of drama. They will have fun as they use the freedom of expression in music and creativity to portray their first characters, gain confidence through participation and give a performance. Level 2 - Supplementary Workshops Participation in a theatrical production provides students with a behicle to develop communication skills - articulation, voice projection, language fluence and persuasive speech; enhanced listening and observation skills; build confidence and accomplishments, self-discipline, trust in their abilities, cooperation and collaboration, gain knowledge of the multi-facets of others' lives through role playing (acting roles from different situations, time periods, and culture promotes compassion and tolerance for others' feelings and viewpoints). Involvement in school producitons supports Ministry of Education and Training Curriculum Guideline regquirements for Drama for grades 6-8). *Professional Actor available to assist with school productions EXPECTATIONS: Students will identify ways of sustaining concentration in drama, focusing on the characters' motives in order to stay in role; identify and discuss the qualities and skills needed to create and perform productions in drama; identify performance techniques that have an effect on the audience's emotions and senses; assemble, rehearse, and perform a collection of drama; demonstrate understanding of the motives of the characters they interpret through drama and accurately represent the attitudes of character through voice quality, gestures, body movements; identify ways of sustaining concentration in drama; interpret scripts, paying attention to the subtext, character, and setting; develop routine of warm-up exercieses and use it regularly before engaging in drama activities; demonstrate understanding of ways of sustaining the appropriate voice or character; indentify the significance of symbols in dramatic explorations, and use various props appropriately; recognize when it is necessary to sustain concentration in drama; demonstrate understanding of the motives of the characters they interpret through drama and accurately represent the attitudes of a character through voice quality, gestures and body movements. The goal of movement training for the actor is the embodiment of deep thought, feelings, and imagination through clear and effective movement and physicality. Through improvisations and guided experimentation in a variety of movement practices/elements students will explore the interrelationship of mind, spirit and body. EXPECTATIONS: Students will learn the essential tasks of alignment and conditioning and develop and enhance endurance, awareness and precision in moving. This workshop offers a practical class providing introduction to voice work for actors. A variety of texts will be used stressing poetry and storytelling, while exploring the English Language creatively. EXPECATIONS: Students will be introduced to the process of freeing and expanding the natural voice, and feel more comfortable in expressing themselves through voice, demonstrating confidence in front of the class. Students will learn the basic skills in acting in order to become a believable actor. They will engage in warm-up exercises, games and techniques that give them the guidance required to act in a way that is true to life, a way to give their acting realism on the stage. Putting all together - Comfort on Stage, Facial Expressions, Listening and Reacting, Movement, Character Development, Voice, Objectives and Tactics, Stage Business, Practice and Evaluation, and Performance. EXPECTATIONS: Students will identify ways of sustaining concentration in drama, focusing on the characters motives in order to stay in role; identify and dicuss the qualities and skills needed to create and perform productions in drama; identify performance techniques that have an effect on the audience's emotions and senses; assemble, rehearse, and perform a collection of drama; demonstrate understanding of the motives of the characters they interpret through drama and accurately represent the attitudes of character through voice quality, gestures, body movements; identify ways of sustaining concentration in drama; interpret scripts, paying attention to the subtext, characters, and setting; develop routine of warm-up exercises and use it regularly before engaging in drama activities; demonstrate understanding of ways of sustaining the appropriate voice or character; identify the significance of symbols in dramatic explorations and use various props appropriately. In order to get the most from this workshop it is suggested that the Acting Techniques workshop be taken first. Students will be using scripts and analyzing text in order to prepare for their role. This workshop will focus on the process of learning a character through the manuscript. Students will interpret and present scripts paying attention to characters and setting. EXPECTATIONS: Students will learn and understand the relationship between their role to the scene and the relationship between actors; gain confidence in their skills by using their own creativity and imagination through observation of themselves and fellow actor/classmates. Students will identify ways of sustaining concentration in drama, focusing on the characters' motives in order to stay in role; identify and discuss the qualities and skills needed to create and perform productions in drama; identify performance techniques that have an effect on the audience's emotions and senses; assemble, rehearse, and perform a collection of drama; demonstrate understanding of the motives of the characters they interpret through drama and accurately represent the attitudes of character through voice quality, gestures, body movements; identify ways of sustaining concentration in drama; interpret scripts, paying attention to the subtext, characters, and setting; develop a routine of warm-up exercises and use it regularly before engaging in drama activities; demonstrate understanding of ways of sustaining the appropriate voice or character; identify the significance of symbols in dramatic explorations, and use various props appropriately. The monoloque workshop extends the development and learning in the acting techniques workshop. Students will do monologue work in front of the class. They will critique and support one another through positive feedback (what they think the student/actor could do to make the performance better). Students will have an in-depth session with their character's development by writing bios of their character and choosing costumes and props that would be appropriate to help make their character believable. EXPECTATIONS: Students will have their first audition piece prepared for their repertoire. Students will identify ways of sustaining concentration in drama, focusing on the character's motives in order to stay in role; identify and discuss the qualities and skills needed to create and perform productions in drama; identify performance techniques that have an effect on the audience's emotions and senses; assemble, rehearse, and perform a collection of drama; demonstrate understanding of the motives of the characters they interpret through drama and accurately represent the attitudes of character through voice quality, gestures, body movements; identify ways of sustaining concentration in drama; interpret scripts, paying attention to the subtext, characters, and setting; develop routine of warm-up exercises and use it regularly before engaging in drama activities; demonstrate understanding of ways of sustaining the appropriate voice or character; identify the significance of symbols in dramatic explorations, and use various props appropriately. MULTIDISCIPLINE WORKSHOP
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